“One of the most stylishly authoritative interpreters of the composer working today.”

OPERA

“It is hard to imagine hearing another performance as convivial and life-affirming as this.”

GRAMOPHONE

WHAT’S ON

Our 2022/23 Season opens on 26 September at Wigmore Hall.

Find out more and buy tickets

LATEST RELEASE

Jommelli’s Il Vologeso is out now on Signum Records.

Read more and buy

STURM UND DRANG SERIES

“Once again, high artistry conspires with scholarship and strength of concept to create a programme that scintillates from start to finish.”
Gramophone Editor’s Choice

Read more and buy Vol 2

IAN PAGE

“One of the most stylishly authoritative interpreters of Mozart working today.”
OPERA

Read More

MOZART 250

“It is hard to think of a more valuable or ambitious long term musical project than Ian Page and The Mozartists’ MOZART 250.”
EARLY MUSIC REVIEW

Read More

LEARNING & OUTREACH

Take a look at the work that we have been doing to help more young children engage with classical music through workshops, performances and visits to cultural venues.

Read More

RECORDINGS

VIEW ALL

DOWNLOADS

 

NEW YEAR’S EVE CONCERT
31 December, 2013
Wigmore Hall, London

HANDEL’S MESSIAH
23 December, 2012
Wigmore Hall, London

MOZART, HAYDN & BEETHOVEN 
29 September, 2015
Cadogan Hall, London

TALES FROM OVID
20 May, 2013
Wigmore Hall, London

MOZART CONCERT ARIAS
4 June, 2014
St John’s, Smith Square

DON GIOVANNI
17 June, 2016
Cadogan Hall, London

VIEW ALL

FILMS

Horn player Gavin Edwards discusses recording
Sturm Und Drang.

For more videos, click here.

Ann Hallenberg sings Gluck ‘Resta, o cara’ from Il trionfo di Clelia in ‘Che puro ciel’ at Wigmore Hall, 23rd May 2016.

This performance is now available for audio download on Exit Live. 

For more videos, click here.

Conductor Ian Page and Soprano Chiara Skerath discuss
Sturm Und Drang.

For more videos, click here.

NEWS

VIEW ALL

“Right now, this London-based period instrument orchestra is pretty much exactly where the action’s at.”
MIDLANDS MUSIC REVIEWS

“The spirit of opera was raised by Page’s urgent conducting, crisp orchestral playing and a terrific cast, eager to take full advantage of the opportunities Mozart offers them.” 
THE DAILY TELEGRAPH

“It was fun, fresh, thought provoking and one of the best nights at the opera that I can remember having!” 
MUSICAL OPINION