“One of the most stylishly authoritative interpreters of the composer working today.”

OPERA

“It is hard to imagine hearing another performance as convivial and life-affirming as this.”

GRAMOPHONE

WHAT’S ON

We are looking forward to returning to the stage at Cadogan Hall this year.

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LATEST DOWNLOAD

The seventh and final release from
The Mozartists ‘RE-LIVE’ is now available to download on Exit Live. This initiative enables us to connect with our audiences during lockdown and revisit some of our favourite memories.

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LATEST RELEASE

“Once again, high artistry conspires with scholarship and strength of concept to create a programme that scintillates from start to finish.”
Gramophone Editor’s Choice

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IAN PAGE

“One of the most stylishly authoritative interpreters of the Mozart working today.”
OPERA

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MOZART 250

“It is hard to think of a more valuable or ambitious long term musical project than Ian Page and The Mozartists’s MOZART 250.”
EARLY MUSIC REVIEW

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LEARNING & OUTREACH

Take a look at the work that we have been doing to help more young children engage with classical music through workshops, performances and visits to cultural venues.

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RECORDINGS

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DOWNLOADS

 

NEW YEAR’S EVE CONCERT
31 December, 2013
Wigmore Hall, London

HANDEL’S MESSIAH
23 December, 2012
Wigmore Hall, London

MOZART, HAYDN & BEETHOVEN 
29 September, 2015
Cadogan Hall, London

TALES FROM OVID
20 May, 2013
Wigmore Hall, London

MOZART CONCERT ARIAS
4 June, 2014
St John’s, Smith Square

DON GIOVANNI
17 June, 2016
Cadogan Hall, London

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FILMS

Horn player Gavin Edwards discusses recording
Sturm Und Drang.

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Ann Hallenberg sings Gluck ‘Resta, o cara’ from Il trionfo di Clelia in ‘Che puro ciel’ at Wigmore Hall, 23rd May 2016.

This performance is now available for audio download on Exit Live. 

For more videos, click here.

Conductor Ian Page and Soprano Chiara Skerath discuss
Sturm Und Drang.

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NEWS

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“Right now, this London-based period instrument orchestra is pretty much exactly where the action’s at.”
MIDLANDS MUSIC REVIEWS

“The spirit of opera was raised by Page’s urgent conducting, crisp orchestral playing and a terrific cast, eager to take full advantage of the opportunities Mozart offers them.” 
THE DAILY TELEGRAPH

“It was fun, fresh, thought provoking and one of the best nights at the opera that I can remember having!” 
MUSICAL OPINION